Sunday, September 29, 2013

You can already take on and spit on the latest Francis Scott Fitzgerald


You can already take on and spit on the latest Francis Scott Fitzgerald's novel The Great Getsbijs screenings, which raised concerns Lurmana sir, because it, you know, do honor the original and everything in it is a dummy and synthetic. However, it seems this time the llama is very out of place. Thinking about the following - a little too crazy exaggerated - classic screens always have to remind myself that it is better than moderate mediocrity.
Imagine now that we every ten years of the film industry to get a new one classic novel screens that differ from each other with costumes and actors. No special intonation, recording techniques or the director's handwriting. For comparison - is a great sense of the latest Great Expectation screens where all like a good name recall and remember the nineties, rationell the special director Alfonso Cuaron version with Ethan Hawke and Gwyneth Paltrow starring. rationell Or last year's version of Les Miserables, whatever rationell she is much more vivid and memorable than the Bille August version with Liam Neeson and Claire Danes. I think the director should have a huge talent and understanding of the novel to afford to implement it in film format without any attempt to grant it special, not the original author of this objective, the intonation. Ekranizējot rationell and trying to be the most close source material, there is a huge risk of becoming patukšam and insipid, and that the most important thing, dubbed as inappropriate.
Therefore, the latest Les Miserables (although Oskarotais made into a film directed by Tom Hooper, this musical version of the novel) is a bold move and certainly more valuable rationell contribution than if it were just another respectable rationell job this shielding. Similarly, rationell the Baz Luhrmann version of Francis Scott Fitzgerald's novel, which called the greatest American novels, I was particularly awaited film. And not because the budget has reached astronomical proportions (estimated at 100-150 million. $), But the director of special viewing. All remembered for his film Romeo + Juliet. Coming soon will be able to compare it with the latest version of Williams Shakespeare screenings, and I am sure - to make sure the nineties Baz Luhrmann rationell version of greatness.
So, to all those who feel the special relationship with this novel, find it great (and untouchable) written work will most likely not pose very Luhrmann done enormous pleasure. Cieņpilnāks closer and will compose original director Jack Clayton, 1974 performance by Robert Redford rationell and Mia Farrow Getsbija and Daisy's roles. For me personally, the septiņdesmitceturtā version is better for those who do not want to read a novel, but interest in the described. Those who have read, it is a little insipid. Like many novels screens, it can not be transferred from the leaves described and the reader's head made visions seem brighter and meaningful than the screen. Luhrmann's version, a little Customize the narrator Nick Carraway's image and, like Life of Pi, created an entire rationell movie of dialogue (almost a monologue). I do not know if it was necessary, but when we let the director's vision, rationell it absolutely does not and does not seem redundant step. Like the film, expressed butaforiskums and often dubbed sintētiskums everything in this movie is gorgeous and reasonably exaggeration - normally for the director, who somehow rationell had to pārtrumpot karnevālveidīgo his previous rationell film Moulin Rouge! (Australia rationell like no one remembers).
While watching the 2D version in almost every scene, and the scene is shown filming style, which is intended to highlight an object or a plane to the 3D effect would ieelsties and make viewing an even bigger rollercoaster, as it is. The film quite a long delay Playback rationell horn that resembles a park, and unfortunately, the circus, but creates a good platform for movie soundtracks peculiar. Which mostly are as a dummy and contrived as everything is happening on the screen. I have to say, only two pieces seemed really advisable to review, worked and will remain in memory even after the film - Lana Del Rey executed "Young and Beautiful" and The xx "Together" (all soundtreku can listen to here). This board will definitely not be inserted next to the modern legends such as Romeo + Juliet and The Beach.
In general, there for some time definitely Baz Luhrmann movie The Great Gatsby / Great Getsbijs earned the honor to be called cinema brilliance and glamor benchmark. Rate and Would like this approach, but the film is definitely worthy rationell of attention.
Directed by Joshua Michael Stern, who, as the internet tells me, in front of more "specialized in" bad TV and straight-to-video movie making level (as a screenwriter and director's chair), with starter Matt Whiteley scenario created a film entitled Jobs - story the first and
Directed by Joshua Michael Stern, who, as the internet tells me, in front of more "specialized in" bad TV and straight-to-video movie making level (as a screenwriter and director's chair), with starter Matt Whiteley scenario created a film entitled Jobs - story the first and
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